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Moroccan Cuisine Is Worth the Trip
While it is often easy to simplify the unknown, or at least unknown - a place, a kitchen, let alone a culture - the pleasure in traveling or eating just discovered the unexpected and explore the complexities and contradictions that we inevitably encounter. When you scratch under the clear and accessible, polished surfaces, but rarely in three dimensions found in glossy magazines or books of travel in the middle of the century, we find the essential elements that drive deep in the square. We need to sift through a few layers to find his true essence.
As a number of countries and their beautiful kitchens - Turkey, Mexico and even Spain come to mind - the Morocco often suffers a simplified fate, considered by many to be composed of a largely homogeneous landscape and some familiar ( although generally misunderstood) dishes.
As elsewhere, the food of Morocco begins with the landscape and geography of the country is much richer and more diverse than most people realize. The image of the country in North Africa as a barren place with fortified villages land and oasis of date palms is not wrong, just incomplete.
Somehow, Morocco is an island, surrounded mostly by water (the Mediterranean Sea, the Atlantic Ocean) and rub (pre-Sahara and Sahara). But within these limits further, a wide variety of climates and features are: four mountain ranges, river gorges, mesas, forests of cedar and oak trees, scrubby plains, olives (Morocco is the second largest exporter of table olives) and vineyards. He valleys with orchards, wildflower meadows, farms producing excellent fresh goat cheese, and, off the south coast, some of the richest fishing grounds in the world.
I traveled to Morocco for 15 years, but work on my recently published book, "Morocco: A culinary journey with recipes," took me to the many nooks and rural souks. Even if one can speak of a unified "Moroccan cuisine" with a common range of flavors and dishes found throughout the country, I was trying to get an idea of regional differences. The more I traveled through Morocco in this research, the more I became impressed by the diversity of the physical landscape and what it produces.
Driving through the Middle Atlas one day in the fields of ripening barley with red flower petals exuberant increase between the silvery green stems, the floor gave way to a dirt road gradually deteriorate crossing streams and strewn with boulders, chassis type deaf best navigation route in a 4x4 - or at least a rental car.
Many roads seem great on the Michelin map # 742 Morocco than they are in reality, and it is no exception. But I was rewarded by entering a splendid valley of cherry trees. A couple of white vans were parked here and there in the shadows and extended families were quietly picking fruit from their own trees.
I backtracked to the Berber town of Azrou, where I managed to arrive in time for a late lunch at the Panoramic Hotel, a place of protectorate era stout opened in 1928. The hatchery trout in a nearby river were a specialty and prepared in a handful of ways, including the way I eventually included in my book stuffed with shredded carrots, fresh bay leaves and a generous network black pepper, trout - offset that morning - were quick pan fried. In the dining room empty, cold, dark under the high ceilings, polished floors, massive fireplace in the lobby, not yet lit, the natural flavors of the countryside - just this campaign, hills that rise around the hotel - were fine rewards for my effort.
For all lamb kebabs grilled chicken, vegetables and couscous tagine loaded I've eaten in my travels, some of my most memorable moments on the job as a book discovered unexpected that these mountain trout stuffed prices.
Related: How to unravel the shelter sorry when foraging for mushrooms
Another revelation was fungi. The High Atlas Mountains, which extends about 450 miles north-east coast of Agadir to Algeria and rising to nearly 14,000 feet, are dramatic and foreboding, but rather sterile, the chain of Anti-Atlas, at their south are largely arid and rocky part dotted. But the Rif mountains in the far north are moist, fertile, and home to dozens of varieties of edible wild mushrooms. In the hills not far from the isolation, the blue city of Chefchouen a rainy day, one of the last year, my wife, two daughters, and I was hunting for chanterelles and porcini mushrooms. (There were truffles, too, one of our local guides said, pointing to a nearby hill. "But those who are destined for export.") We returned to a country inn and had the remains of our hunting morning prepared in the most divine and herb omelettes loaded I have ever tasted.
Related: Moroccan cuisine beyond couscous
Even more unexpected was oysters. South down the Atlantic to Casablanca, the coastline is largely inaccessible, wild and windswept, and the road winds past rocky cliffs, misty blows undeveloped beach wave crashing and few fishing villages fortified where gulls wheel over ancient walls and brightly painted sardine. A stop along here is the village of Oualidia, whose specialty is oysters. Just as I did not expect to feast on the local trout in the Middle Atlas and wild mushrooms in the Rif, devouring a dozen Japanese oysters on the half shell while looking over the lagoon where they had just harvested came as another magnificent feast.
Rich, complex history of Morocco - the ancient Berbers to the Phoenicians and Romans, Arabs, Muslims and Jews exiled from Andalusia, trans-Saharan caravan, the French and Spanish colonial rulers - offered cooks a lot of inspiration. After traveling thousands of miles backroad in more than the value of quasi-monthly trips to Morocco a year, it was clear that, just as important, vast and varied landscape of the country gave them the raw materials they need to develop one of the richest cuisines in the world.
Organics not only for Turkish export Anymore: Related
For the traveler in Morocco - or Turkey, Mexico and Spain - the fun lies in the unknown and the unexpected in these tasty surprises that may be just around the next corner. The key is to leave the main road and continue to push forward to find. Satisfaction, of course, goes beyond a delicious meal. It helps to understand the land and the people. I found that learning the food of Morocco was to know its culture - and it is this idea that has stimulated me, turn after turn.
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Moroccan Fine Art opens its digital doors
Moroccan Fine Art opens its digital doors
A young Moroccan art consultant living in London launched her own online art gallery on 19 April 2012. The gallery, entitled Moroccan Fine Art, is accessible at www.moroccanfineart.com.
According director Nadia Echiguer, the aim of the operation is to promote contemporary Moroccan art in the United Kingdom and throughout the world.
At just 27, this young marketing graduate acts as an art consultant, an interior decorator, as well as being a private collector. Having been immersed in the art world since childhood, she decided to take the initiative in opening an art gallery dedicated to Moroccan art online.
The aim of the gallery is to help talented and emerging Moroccan artists to make a name for themselves. To this end, Nadia Echiguer points out that her gallery only gives online visitors the opportunity to view works, but not to buy them.
In order to compensate for this lack of selling, Echiguer will be presenting its first exhibition of contemporary Moroccan art, entitled “An Urban Twist from Morocco”, at the Coningsby Gallery in London, from 7 to 12 May 2012. The show will feature 24 paintings and drawings in figurative, abstract, and calligraphic styles by 5 Moroccan artists: Larbi Cherkaoui, Kim Bennani, Said Yaghfouri, Zineb Echiguer, and Said Qodaid.
The organisation of the exhibition has taken some five months, as the works were transported from Morocco to the United Kingdom by boat. Moroccan Fine Art aims to organise around three or four such exhibitions every year.
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A young Moroccan art consultant living in London launched her own online art gallery on 19 April 2012. The gallery, entitled Moroccan Fine Art, is accessible at www.moroccanfineart.com.
According director Nadia Echiguer, the aim of the operation is to promote contemporary Moroccan art in the United Kingdom and throughout the world.
At just 27, this young marketing graduate acts as an art consultant, an interior decorator, as well as being a private collector. Having been immersed in the art world since childhood, she decided to take the initiative in opening an art gallery dedicated to Moroccan art online.
The aim of the gallery is to help talented and emerging Moroccan artists to make a name for themselves. To this end, Nadia Echiguer points out that her gallery only gives online visitors the opportunity to view works, but not to buy them.
In order to compensate for this lack of selling, Echiguer will be presenting its first exhibition of contemporary Moroccan art, entitled “An Urban Twist from Morocco”, at the Coningsby Gallery in London, from 7 to 12 May 2012. The show will feature 24 paintings and drawings in figurative, abstract, and calligraphic styles by 5 Moroccan artists: Larbi Cherkaoui, Kim Bennani, Said Yaghfouri, Zineb Echiguer, and Said Qodaid.
The organisation of the exhibition has taken some five months, as the works were transported from Morocco to the United Kingdom by boat. Moroccan Fine Art aims to organise around three or four such exhibitions every year.
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Moroccan artists ,Contemporary Art and their initiatives
Moroccan artists and their initiatives
Despite being poorly represented in today's global marketplace, there is a growing number of diverse contemporary Moroccan artists based both in Morocco and abroad. Artists born in Morocco or Moroccan origins as Mounir Fatmi, which is among the most best-known on the market for contemporary art Moroccan artists. Other artists are Echackhch Latifa Mohamed El Baz, Bouchra Khalili, Majida Khattari, Mehdi-Georges Lahlou, and the young Younes Baba-Ali.
There are several initiatives Moroccan artists to help develop a market for contemporary art in the country. For example, artists like Hassan Darsi created La Source du Lion in 1995, an art studio that hosts artists in residence, and Barrada founded the Cinematheque de Tanger in 2006, is dedicated to promoting the Moroccan film culture. A group of Moroccan artists called Collective has 212 Moroccan artists as Benbouchta Amina Hassan Echair, Jamila Lamrani Safaa Erruas and Younes Rahmoun. This group is committed to develop more artistic experiences and collaborating with other artists such as Hicham Benohoud promising.
There are also promising local artists and Shim Batoul Karim Rafi, who both participated in the "Working for Change", a project to try to act in the fabric of Moroccan society, at the Venice Biennale in 2011 .
Contemporary Art
Contemporary art in Morocco is still under construction but with great potential for growth. Since the 1990s-2000s Moroccan cities have hosted institutions contributing to the promotion of contemporary art and visual arts: Apartment 22 and Radioapartment22 in Rabat, the Cinematheque de Tanger in Tangier, La Source du Lion in Casablanca, Dar Al-Ma'mun residence and the center of Marrakech Art Fair, and the Biennale of Marrakesh in Marrakesh.
Local art galleries such as Galerie Villa Delaporte, Atelier 21, Matisse Gallery and Gallery FJ platforms are also showing some extent, contemporary art and contribute to its development.
The global art market is also involved in the development and raise the profile of contemporary art in Morocco. International exhibitions such as "Africa Remix" (2004) and "Geographies unequal" (2010) Contemporary artists from North Africa, including Morocco's regional events such as the Dakar Biennale (Dak'art or -. Biennale Contemporary African Art), which is a major exhibition of contemporary African art and gives greater visibility to artists from this continent.
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Despite being poorly represented in today's global marketplace, there is a growing number of diverse contemporary Moroccan artists based both in Morocco and abroad. Artists born in Morocco or Moroccan origins as Mounir Fatmi, which is among the most best-known on the market for contemporary art Moroccan artists. Other artists are Echackhch Latifa Mohamed El Baz, Bouchra Khalili, Majida Khattari, Mehdi-Georges Lahlou, and the young Younes Baba-Ali.
There are several initiatives Moroccan artists to help develop a market for contemporary art in the country. For example, artists like Hassan Darsi created La Source du Lion in 1995, an art studio that hosts artists in residence, and Barrada founded the Cinematheque de Tanger in 2006, is dedicated to promoting the Moroccan film culture. A group of Moroccan artists called Collective has 212 Moroccan artists as Benbouchta Amina Hassan Echair, Jamila Lamrani Safaa Erruas and Younes Rahmoun. This group is committed to develop more artistic experiences and collaborating with other artists such as Hicham Benohoud promising.
There are also promising local artists and Shim Batoul Karim Rafi, who both participated in the "Working for Change", a project to try to act in the fabric of Moroccan society, at the Venice Biennale in 2011 .
Contemporary Art
Contemporary art in Morocco is still under construction but with great potential for growth. Since the 1990s-2000s Moroccan cities have hosted institutions contributing to the promotion of contemporary art and visual arts: Apartment 22 and Radioapartment22 in Rabat, the Cinematheque de Tanger in Tangier, La Source du Lion in Casablanca, Dar Al-Ma'mun residence and the center of Marrakech Art Fair, and the Biennale of Marrakesh in Marrakesh.
Local art galleries such as Galerie Villa Delaporte, Atelier 21, Matisse Gallery and Gallery FJ platforms are also showing some extent, contemporary art and contribute to its development.
The global art market is also involved in the development and raise the profile of contemporary art in Morocco. International exhibitions such as "Africa Remix" (2004) and "Geographies unequal" (2010) Contemporary artists from North Africa, including Morocco's regional events such as the Dakar Biennale (Dak'art or -. Biennale Contemporary African Art), which is a major exhibition of contemporary African art and gives greater visibility to artists from this continent.
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