Moroccan Fine Art opens its digital doors

Moroccan Fine Art opens its digital doors


A young Moroccan art consultant living in London launched her own online art gallery on 19 April 2012. The gallery, entitled Moroccan Fine Art, is accessible at www.moroccanfineart.com.

According director Nadia Echiguer, the aim of the operation is to promote contemporary Moroccan art in the United Kingdom and throughout the world.

At just 27, this young marketing graduate acts as an art consultant, an interior decorator, as well as being a private collector. Having been immersed in the art world since childhood, she decided to take the initiative in opening an art gallery dedicated to Moroccan art online.

The aim of the gallery is to help talented  and emerging Moroccan artists to make a name for themselves. To this end, Nadia Echiguer points out that her gallery only gives online visitors the opportunity to view works, but not to buy them.

In order to compensate for this lack of selling, Echiguer will be presenting its first exhibition of contemporary Moroccan art, entitled “An Urban Twist from Morocco”, at the Coningsby Gallery in London, from 7 to 12 May 2012. The show will feature 24 paintings and drawings in figurative, abstract, and calligraphic styles by 5 Moroccan artists: Larbi Cherkaoui, Kim Bennani, Said Yaghfouri, Zineb Echiguer, and Said Qodaid.

The organisation of the exhibition has taken some five months, as the works were transported from Morocco to the United Kingdom by boat. Moroccan Fine Art aims to organise around three or four such exhibitions every year.

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Moroccan artists ,Contemporary Art and their initiatives

Moroccan artists and their initiatives


Despite being poorly represented in today's global marketplace, there is a growing number of diverse contemporary Moroccan artists based both in Morocco and abroad. Artists born in Morocco or Moroccan origins as Mounir Fatmi, which is among the most best-known on the market for contemporary art Moroccan artists. Other artists are Echackhch Latifa Mohamed El Baz, Bouchra Khalili, Majida Khattari, Mehdi-Georges Lahlou, and the young Younes Baba-Ali.

There are several initiatives Moroccan artists to help develop a market for contemporary art in the country. For example, artists like Hassan Darsi created La Source du Lion in 1995, an art studio that hosts artists in residence, and Barrada founded the Cinematheque de Tanger in 2006, is dedicated to promoting the Moroccan film culture. A group of Moroccan artists called Collective has 212 Moroccan artists as Benbouchta Amina Hassan Echair, Jamila Lamrani Safaa Erruas and Younes Rahmoun. This group is committed to develop more artistic experiences and collaborating with other artists such as Hicham Benohoud promising.

There are also promising local artists and Shim Batoul Karim Rafi, who both participated in the "Working for Change", a project to try to act in the fabric of Moroccan society, at the Venice Biennale in 2011 .

Contemporary Art

Contemporary art in Morocco is still under construction but with great potential for growth. Since the 1990s-2000s Moroccan cities have hosted institutions contributing to the promotion of contemporary art and visual arts: Apartment 22 and Radioapartment22 in Rabat, the Cinematheque de Tanger in Tangier, La Source du Lion in Casablanca, Dar Al-Ma'mun residence and the center of Marrakech Art Fair, and the Biennale of Marrakesh in Marrakesh.
Local art galleries such as Galerie Villa Delaporte, Atelier 21, Matisse Gallery and Gallery FJ platforms are also showing some extent, contemporary art and contribute to its development.

The global art market is also involved in the development and raise the profile of contemporary art in Morocco. International exhibitions such as "Africa Remix" (2004) and "Geographies unequal" (2010) Contemporary artists from North Africa, including Morocco's regional events such as the Dakar Biennale (Dak'art or -. Biennale Contemporary African Art), which is a major exhibition of contemporary African art and gives greater visibility to artists from this continent.

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Moroccan architecture

Moroccan architecture


Dar, the name given to one of the most common types of national structures in Morocco, is a house found in a medina, or walled urban area of ​​the city. Most Moroccan homes always adhere to the Dar al-Islam, a set of principles on Islamic domestic life.

Outside Dar are generally devoid of ornamentation and windows, with the exception of occasional small openings in secondary areas such as stairs and service areas. These piercings provide light and ventilation. Dars are typically composed of thick walls that protect people flying, animals, and other risks, but they have a much more symbolic of Arab perspective. In this culture from the outside is a workplace, while the interior is a place of refuge. Thus, Moroccan interiors are often very generous in decoration and crafts.

According to most Islamic architecture, dars are based around small outdoor patios, surrounded by thick very high walls to block direct light and minimize heat.Intermediary three-arched porticos lead to usually two to four parts located symmetrically. These parts should be long and narrow, creating very vertical spaces, as regional resources and construction technology in general allow joists are usually less than three feet.

Entering a dar, customers move through a passage zigzag cover the central courtyard. The passage opens onto a staircase leading to a reception area on the first floor called dormiria, which is often the most sumptuous room to house decorated decorative tile, painted furniture, and lots of embroidered pillows and rugs . Wealthier families also have greenhouses and a second dormiria, accessible by a staircase walk-in. Three services and stairs were still in the corners of the structures.

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