Culture of Morocco


Culture of Morocco
Morocco is an ethnically diverse country with a rich culture and civilization. Through Moroccan history, it has hosted many people coming from East (Phoenicians, Carthaginians, Jews and Arabs), South (Sub-Saharan Africans) and North (Romans, Vandals, Andalusians, Moors and Jews). All those civilizations have had an impact on the social structure of Morocco. It conceived various forms of beliefs, from paganism, Judaism, and Christianity to Islam.
Since independence a veritable blossoming has taken place in painting and sculpture, popular music, amateur theatre, and filmmaking. The Moroccan National Theatre (founded 1956) offers regular productions of Moroccan and French dramatic works. Art and music festivals take place throughout the country during the summer months, among them the World Sacred Music Festival at Fès.
Each region possesses its own specificities, thus contributing to the national culture and to the legacy of civilization. Morocco has set among its top priorities the protection of its diverse legacy and the preservation of its cultural heritage.
Culturally speaking, Morocco has always been successful in combining its Berber, Jewish and Arabic cultural heritage with external influences such as the French and the Spanish and, during the last decades, the Anglo-American lifestyles.


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Moroccan literature


Moroccan literature


Leo Africanus.
Moroccan literature is written in Arabic, Berber and French. Under the Almohad dynasty Morocco experienced a period of prosperity and brilliance of learning. The Almohad built the Marrakech Koutoubia Mosque, which accommodated no fewer than 25,000 people, but was also famed for its books, manuscripts, libraries and book shops, which gave it its name; the first book bazaar in history. The Almohad Caliph Abu Yakub had a great love for collecting books. He founded a great library, which was eventually carried to the Casbah and turned into a public library.
Modern Moroccan literature began in the 1930s. Two main factors gave Morocco a pulse toward witnessing the birth of a modern literature. Morocco, as a French and Spanish protectorate left Moroccan intellectuals the opportunity to exchange and to produce literary works freely enjoying the contact of other Arabic literature and Europe.
During the 1950s and 1960s, Morocco was a refuge and artistic centre and attracted writers as Paul Bowles, Tennessee Williams and William S. Burroughs. Moroccan literature flourished with novelists such as Mohamed Zafzaf and Mohamed Choukri, who wrote in Arabic, and Driss Chraïbi and Tahar Ben Jelloun who wrote in French. Other important Moroccan authors include, Abdellatif Laabi, Abdelkrim Ghallab, Fouad Laroui, Mohammed Berrada and Leila Abouzeid. It should be noted also, that orature (oral literature) is an integral part of Moroccan culture, be it in Moroccan Arabic or Amazigh.



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Moroccan genetics


 Moroccan genetics


Distribution of Y haplotype E-M81 E1b1b1b in North Africa, West Asia and Europe.
Recent studies make clear no significant genetic differences exist between Arabic and non-Arabic speaking populations, HLA DNA data suggest that most Moroccans are of a Berber origin and that Arabs who invaded North Africa and Spain in the 7th century did not substantially contribute to the gene pool.[71][72] The Moorish refugees from Spain settled in the coast-towns.[73] According to a 2000 article in European Journal of Human Genetics, Moroccans from North-Western Africa were genetically closer to Iberians than to West Africans and Middle Easterners[74]
The different loci studied revealed close similarity between the Berbers and other North African groups, mainly with Moroccan Arabic-speakers, which is in accord with the hypothesis that the current Moroccan population has a strong Berber background.


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