Moroccan culture-“Lbaraka”


“Lbaraka” in Moroccan culture, good management or divine intervention
“Lbaraka” in Moroccan culture, good management or divine intervention


The concept of “lbaraka” (meaning blessing or prosperity) in Moroccan culture is a complex concept that may have more than one meaning. Apart from the established meaning communicated in most religious teachings, “lbaraka” is a magical power associated with some pious people that can be transmitted to their children and grandchildren naturally, or through a ritual practice like spitting in the son’s hand palm. It can be manifested in various forms: in daily meals, harvest, people, salaries, and any other human activity. “Lbaraka” can’t, I guess, be explained through a pattern of logical reasoning or by purely mathematical calculations. Therefore, it appears in certain situations, special contexts and undoubtedly for specific people.

I always have faith in science as a trustworthy tool to explain many natural, social, and cultural phenomena, but it is agreed that science, for the moment, fails in accounting for many metaphysical and spiritual occurrences. The concept of “lbaraka” is pervasive among Moroccans, who believe in its existence. They call upon God to endow them with “lbaraka,” and bless all their daily activities.

The idea of “lbaraka” can be demonstrated in objects, as it can be a human characteristic. An example of the power of this mysterious energy, which is characteristic to few people, is cherished by some doctors. Despite the same academic training doctors receive, some of them are believed to have great healing powers. “Idu fiha lbaraka” Moroccans say, meaning “his hands are blessed.” This is an expression widely used for doctors whose medical skills are extraordinary. They haven’t necessarily studied or practiced more than their peers, but it is generally accepted that their treatments and prescriptions are extremely successful in treating illnesses.

When I was appointed to teach English in Tazarine, a small village 332 miles south east of Marrakech, I learned the true meaning of “lbaraka.” I used to think that “lbaraka” is nothing but an invocation exchanged between people to show more courtesy and respect. Later though, thanks to the close connections I made among some of the villagers, I discovered that “lbaraka” is real. Personally, I perceive it as what remains as extra value after an accurate mathematical equation.

When I was in Tazarine, I had a good friend whose name is Ali. Even though he was older than me, his sound reputation among the villagers kept me attached to him. The first time he invited me to have lunch with his family, he served a small tagine that seemingly wouldn’t even satiate me, let alone feed all five of us (him, his father, two of his younger brothers and myself). For some inexplicable reason, we all ate to satisfaction, and food remained in the earthen-ware. Honestly, I could eat that amount of food usually all on my own, but when I went to eat at my friend’s house the same amount of food managed to suffice many of us.

Another real example is that of low paid workers who manage to lead very comfortable lives; they can build their own houses, and raise and educate their children with standards similar to those of well-to-do families. Culturally speaking, such people are said to have “lbaraka” in their lives. If you consider their limited income, you may find it hard to believe how they manage to live in relative comfort.

Some people may associate “lbaraka” with strategic management, but I believe that “lbaraka” is more than organization and management. It is something supernatural that we feel, but can’t measure. It is an element we don’t take into consideration in our plans, but it gives an unexpected advantage that helps us to successfully accomplish our tasks. For you, I say may almighty bestow you with “lbaraka,” and may it be on your side in whatever good things you do.


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Defending a Moroccan Cultural Factory


Defending a Moroccan Cultural Factory


The Casablanca art world has been up in arms since the Feb. 15 print edition of Al Ittihad announced that the city government planned to transform a popular cultural space into a parking lot.

Source: Nafas

The site of Casablanca's old slaughterhouses — known locally as "les abattoirs" or simply "l'batoir" — covers five hectares in the historically industrial neighborhood of Hay Mohammadi. Its buildings were designed by French architect Georges-Ernest Desmarest and completed in 1922. Abandoned 80 years later, the site became arallying point for local artists and architects with ideas for its reuse. They attracted support from King Mohammed VI and managed to register the slaughterhouses on Morocco's heritage list in 2003. Artist Georges Rousse started a project in one of the buildings later that year, and multidisciplinary cultural events soon appeared.

Source: Cinéma-Maroc

In 2008, Casablanca officials collaborated with officials from Amsterdam on a series ofworkshops dedicated to connections between industry and culture. Mayor Mohamed Sajid later authorized the architectural preservation society Casamémoire to manage the slaughterhouses with local artists, and they formed the Cultural Factory at the Slaughterhouses Association. Yet despite the Cultural Factory's status as a national heritage site and world-renowned center for the arts, it remains a piece of underfunded city property at risk of ruin and redevelopment. Casamémoire has been trying unsuccessfully to renew its lease, and when government officials began parking on the grounds last month it appeared to indicate a plan to reclaim the space.


Source: Telquel

The arts community mobilized rapidly via online and offline networks. Within 24 hours a petition campaign amassed 1,200 signatures and a "Save L'Batoir" page appeared on Facebook. Blogs and online forums were abuzz with indignation, and young designers created signs for the growing protest movement.


Source: Mehdi Ayache

Authorities eventually issued a statement explaining that the vehicles were there as a temporary measure to deal with overflow in their parking lots. City Council Vice President Ahmed Brija assured everyone that the 260 cars would eventually be removed, and they disappeared within the next two weeks.

A protest stencil reads, "The slaughterhouse is not a parking lot." Source: Zied Ben Cheikh


Supporters of the cultural space are nevertheless on edge, and an "Occupy L'Battoir" movement has emerged to keep the slaughterhouses dedicated to the arts. Despite the massive show of support, Aadel Essaadani — current president of the Cultural Factory — maintains that a longterm solution will require stronger political and financial commitment from the city government.


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WINTER SUN IN MARRAKECH AT LES CINQ DJELLABAS

WINTER SUN IN MARRAKECH AT LES CINQ DJELLABAS



Room

Located on the outskirts of Marrakech at the foot of the Atlas Mountains, the idyllic resort of Les Cinq Djellabas is far enough away from the hustle and bustle of the medina to relax and unwind but close enough to spend an evening exploring the labyrinth of alleys, which make up the souk. Located in the Palmerarie area, the lush green landscape reaches a dramatic end where the soaring Atlas Mountains begin.
Les Cinq Djellabas offers 10 individual luxury eco lodges all surrounding a vast pool and manicured gardens the ideal spot to take in a spot of lunch and enjoy the late afternoon sun. As well as the incredible view of the snow topped Atlas Mountains, the lodges are set in a garden of palm, olive and banana trees.
The owner of Les Cinq Djellabas is that of Marrakech’s first and oldest restaurant – La Foundouk, a riad hidden deep in the souk, which offers the most exquisite traditional Moroccan cuisine in a rooftop setting, with views as far as the eye can see. Guests are met by a traditionally dressed Berber on theoutskirts of the souk and whisked through the covered walkways to an unassuming door, which opens into a spectacular atrium and spiral staircase to the roof.
‘Thierry Isnardon has lavished great attention to detail on his innovative design, which combines contemporary minimalism with traditional Moroccan craftsmanship. Accommodation is in ten comfortable African eco-Lodges, some ‘Suites’, the others ‘Deluxe Suites’, scattered around the tranquil grounds. The food is excellent and fresh, with a menu that combines Moroccan and international cuisine, and service is warm and committed.’ – The Hotel Guru
The hotel is extremely proud of its eco friendly credentials of which many of these features can be seen including a large part of the structure which was designed using recycled materials.
The hotel provides a variety of additional experiences that guests can book during their stay.  Everything is catered for from a romantic champagne dinner in a tent and hot air balloon rides to more action packed activities like racing through the dessert on dune buggies.
The rooms all come equipped with a king sized bed and shower as well as any other facilities you could wish for including TV and Wifi as well as heating and air conditioning.