Moroccan tarbouch

Moroccan tarbouch

Tarbouche Fez (طربوش فاسي or ṭarbūš FASI) is a rigid male headgear felt, often red, truncated cone shape, decorated with a black tassel attached to the top. The fez is from Greece  , and has been adopted by many ethnic and religious groups in the Ottoman Empire nineteenth century. Nowadays, it is increasingly rare to see covered.

However, this assumption of Fez Moroccan Ottoman origin does not explain why the one hand the Ottomans called the cap "Tarbouch fassi" that is to say in French "Fez Hat" and why other share the Moroccans call "Fez", the "Tarbouch" and sometimes the "scarf". Moroccans who have not known Ottoman colonization never called the cap "hat Ottoman." (See history and origin of Fez)

There is another hypothesis stating that the inhabitants of Fez taunted the Ottoman Algeria who never managed to get beyond the wadi Moulouya wearing a head covering similar to theirs.

In Morocco, the Moroccan Fez (cap shorter than the Ottoman fez) is still part of the official uniform of Moroccans and is worn with a white slippers jellaba yellow or white, this dress is that groups of Arab-Andalusian music Moroccan. (see external links)

It can also be held in Fez Ottoman Ottoman traditional musicians of Arab-Andalusian music of Algeria. Algeria (a country that is part of the Ottoman Empire) the cap bears the names of "Chèche of Istanbul" or "Tarbouch."

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Moroccan djellaba

Moroccan djellaba   is worn throughout a  rich in terms of history, tradition, people, culture, religion, climate, geography and so on.

Each of these aspects of the country influences how Moroccan people are dressed. Among the variety of Moroccan dress, we find djellaba and caftan, takchita the jabador, beautiful clothes that speak of luxurious clothing style of the country.

Djellaba
If you walk the streets of any city in Morocco, you will certainly see men and women wearing long dresses Moroccan hoods over their normal clothes. This dress is called the djellaba. It covers the entire body except the head, hands and feet.

Djellaba for women is different from men in style and purpose. Women wear a djellaba for different reasons. First of all, this dress is very comfortable and Moroccan aesthetics. Second, it is to wear modest clothing in a Muslim country. Some women accompany wearing a scarf around their neck or head. Djellaba is also given when visiting family on a religious holiday.



















Men in general are a djellaba man on special occasions, sometimes topped with the famous Moroccan Red hat, called tarbouche and accompanied by yellow slippers known Belgha. The Djellaba the woman is more colorful compared to that of man, and today djellabas are shorter and thinner. There are verses in the Qur'an that mention djellaba like a garment to be worn by Muslim women. A djellaba is most often worn outside the house and there djellabas for everyday and special occasions.

The Moroccan caftan
The caftan refers to the Moroccan garment that resembles the djellaba but without hood. The origins of the caftan back to the Ottoman Empire, because it was one of the most beautiful clothing worn by the Ottoman elite. Like other garments, it has changed over the years.


In Morocco, women wear kaftan for special occasions such as weddings. The caftan is the basic garment of the bride on her wedding day. It is also worn under takchita, which is another dress nicely decorated with buttons Aqqad traditional handcrafted front, wide sleeves and a thick belt around the waist. As opposed to a djellaba, a caftan is not worn outside of the house.

As a tourist in Morocco, you can wear any type of traditional Moroccan clothing. It is perfectly acceptable and even appreciated. In winter, a man can wear a djellaba wool on his clothes to keep warm. And if a woman has invited friends over to celebrate a family party, she can put on a caftan to receive his guests.

Traditional clothing for women in Morocco consists of brightly colored, long flowing robes, headscarves, slippers, button down blouses, and, sometimes, even veils. This style of clothing has been cultivated since the ancient times of Moroccan history, and is still a part of the living tradition and culture of the country today. Typically, the women of Morocco continue wearing the traditional clothing of their forbearers without extensive variation or influence from the realms of Western fashion, but modern alterations of the historic Muslim-influenced styles of dress are rapidly creeping into wardrobes. Heterogeneous fashions - mixes between traditional Muslim/ Moroccan and modern women's clothing fashions - can now be observed in the streets of Morocco today, but the principles of hijab, the Muslim idea of modest dress, still prevail. There are various different articles of clothing that make up the Moroccan woman's wardrobe, and this paper is meant to shine some light on these pieces, as well as discuss the ways in which Muslim women's fashion has been changing in Morocco.

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Moroccan djellaba

Moroccan djellaba

enrique iglesias with djellaba

Djellaba the symbol of many patriotic values, official costume of allegiance (La Baia), habit certified members of the government in parliament, carried for centuries by all the monarchs of Morocco during religious festivals and official ceremonies, a always been and continues the habit of women representative marocaine.Difficile not feel pride in the majestic beauty of our national costume, extraordinary heritage, which not only continue to exist, but is worn over left time to evolve and adapt to every era thanks to the passion and expertise of leading figures of the Moroccan style creation.

From the independence of our country in 1956, the Moroccan woman determined to participate in the construction of Morocco's rich culture and Men, swapped the "haïk: a large cotton or wool about 5 meters in length, 1.60 M width that covers the woman's body and her face "against Djellaba, who was previously a male dress.

The habit began his career with a first aspect: dark and wide cut associated with a chiffon veil on his face and a hood covering carefully pinned hair, and has continued to experience significant transformations over the four decades to meet today's light years pejorative image of "hide misery" or pure "alienation dress."

The Djellaba has now reserved a place in the world of Haute Couture: A symbol of elegance carries a wonderful message of the great breadth of our cultural heritage.

Proud of its course, the moroccan Djellaba has caught up with the changing lifestyles and attitudes. Adopted by Elizabeth Taylor in Hollywood since the 80s, led by Hakim Attar, Ilham Shahin and Nabila Oubeid and other iconic figures in Arab Cinema major events. Yes! this is a long time that has tamed Djellaba other horizons by taking off but our Moroccan designers continue to keep their copyright, and the dream remodel with finesse and a nice breath of emancipation while preserving its him authenticity combining tradition and modernization.

Reinvented in detail, sometimes sober cuts, sometimes rebels, Djellaba continues to perform its function and ability to adapt to any occasion, and still symbolizes the habit of "ouker: mourning" for three days gathering following the funeral in the Moroccan tradition.

Traveling with the wind, it does not deny its origins and draws all its materials small hands of Moroccan artisans continue to ply their trade in small shops which are the soul of the old medina: Laâkad, Sfifa, weaving the self and woolen fabrics, details of which only hold the secrets our craftsmen. Our heritage is a field of expertise that will be depleted and the value keeps increasing. Friday 8 September 2006, this beautiful reservoir explorers who have reshaped Djellaba to give more splendor and greater openness, we invite you to a journey through time, art and culture. With their creative spirit and renovation deploy all their senses to the triumph of Djellaba. Our fervent creators claim this event as a tribute to all the women in their homes in Medina, who used their eyes on the canvas or embroidery to make Akads carefully one by one. A tribute to all those kids craft apprentices who constantly rubbing time for shaping the wire against their hands and legs childish. A tribute to all those anonymous maâllems give rise to Djellaba inch by inch in any delicacy.

The event "Djellaba 2006" will be held in the Riad most revealing of the architectural beauty of Tazi Palace in Rabat-Morocco, overlooking the beautiful glass dome, a symbol of the wealth generated by the marriage of cultures. Maghreb, West and East will combine to remind us this beautiful message: The force that provides openness to difference. Mean difference of cultures and therefore primarily complementary enrichment.
The Djellaba, costume combining masculine and feminine tunic Maghreb nevertheless representative of the Moroccan woman, this dress, like the phoenix, has always reborn from its ashes. Thus Djellaba for its new resurrection chose a place a prodigious luxury, rich in details reflecting the richness of Moroccan architecture: the Palais Tazi who will tell us the Djellaba Moroccan its like continues to fascinate and preserves majestic part of a route serene.

Between the walls concealing the great wonders of this mysterious palace, a fashion show will be held Friday, September 8, 2006 with the participation of leading designers and talented Moroccan and Oriental gathered to witness the continuation of the creativity of small hands of our artisans Warriors in the shade.

At two weeks of Ramadan, this event will feature men and women from every angle in a strange show: A parade of Maghreb, West and East will combine to present a prestigious Moroccan palace par excellence. An event of this magnitude requires a budget commensurate with its cultural impact and socio-economic development. My Morocco sky could not afford any claim to lead "Djellaba 2006" to achieve its goals and expectations that deserves cultural partners decided to accede to the promotion of our heritage. nitié by the Agency Morocco Ciel My Communication, "Djellaba 2006" is sponsored by the city of Rabat, which supports its predisposition and openness to associate the city with all the cultural events like all capitals developed countries and the contribution of Megatel. For the first curtain, the magazine "Urban" wants to be a partner and sponsor of this event in the artistic perspective to make the appointment of the great annual event stylists. First national chain RTM adopted the event and proves once again its commitment to support artistic and cultural projects promising. The Arabic art is this bearing witness to the scope of such a show and fair interest that the Arab world agrees sustainability of Moroccan cultural heritage.

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