GO TO MOROCCO


Emtyness, just cats around.
Many friendly words are exchanged with the tannery workers, proud they are to work here and they're well payed too. "A tannery is a gold mine" goes a saying. The omnipresent malodour of fresh animal skin and dye and urin and pigion droppings (used in the process) though is hard to swallow and written all over some of the workers faces.

You can loose the feel for travelling quickly. That's what I feel these first days after Spain.
Work is hard , but prestigiouse in the TanneryMeeting Hasna in TANGER I have difficulties catching the spirit again that prevailed before TARIFA.
Partying in Europe quickly restores the consumer inside, the guy that I was in my life before.
VolubilisIn Spain you can spend as much money in a day as in Africa in a week. And it is enticing to spend. It makes you look rich and beautiful. And most people who come to Tarifa are or pretend to be just that.
I've come for another 3 month, my second half, to Morocco. It takes me a few days to realise not to take it lightly. Like in football, even when you lead after the first half you still can loose the game.....

From Tanger we travel south, down the coast.
 ASILAH is beautiful, LARACHE a rubbish bin. We travel onwards viaSOUK-EL-ARBA-DU-RHARB to VOLUBILIS, an ancient Roman provincial capital, declared a Unesco world-heritage site just recently.And Hasna and I, still we don't know each other too well, but determined we are to give it a try. I am still not sure she likes her El-Nino T-shirt, I brought from Tarifa.
Volubilis and StorkMOULAY IDRISS just afterwards is an interesting little town pressed against a mountain side. It is the tomb of Moulay Idriss, the holy founder of the first Islamic Kingdom of Morocco, that makes it a centre for Islamic pilgrimage, It is conservative, by nature, its people unfriendly and they regard the strange couple with suspicion. But as I said I am still trying to recapture my feel for country and people.

On 14th of June after MEKNES we reach FES, Hasna's birth place.
Fes, the most complete Islamic town in the world, has much to offer. It virtually sucks me into the medina on all of the 4 days. Endless I can walk around in search for corners noone wants to go.
Architecture of exhilerating beauty. A medersa, which everHasna on the other side cannot share my interest. Of course not. She has lived here all her life. And the Medina is not the place a modern Fassi would go but for showing it to a tourist or curious relative.
Inside the medina it is the tanneries that I am after. Photographers have got to go for the tanneries.
The tanneryIn the 4 days that I spend here (Hasna leaves earlier for Casablanca to catch up with a few things), I see 4 tanneries, most are smaller then the Tannerie Chouara, which is the one above, which is as well the one I was shown together with Hasna by a small boy on the first day.
The police took the boy away 30 minutes after our visit to the tannery, enforcement of rules to prevent harassment of tourists. I prefer a boy to an official guide who never stops littering you with rubbish stories you're not interested in and who shows you as many carpet shops as possible.
TanneryFriday it takes me a great many attempts to find the Chouara Tannery again. In the process I visit a few more, none as exiting and vast. The close to midday shots I do not even want to take as I have intention to come back for a better, earlier light shooting. But then I am taken round the whole thing by a nice chap called Farchardin for 1 Euro and a bottle of water.
Later from 12 onwards the medina starts to shut for the day. People are busy closing their shops and make it in time for the prayer. I listen to the spiritual chants that precede the Friday sermon and watch through the door of the Moulay Idriss Mousoleum from a distance. Next to me a small cat that fell from the roof is dying.
The empty medina, in the early Saturday mornig hoursSaturday morning I finally attempt to shooting the tanneries in nice light. Tired after not much sleep (first it is too hot, then there's many midges, best sleep is between 6 and 8, it is too hot afterwards) I get up before 6, easily find my way to the tannery. Where I hang around around 7-ish well before my rendez-vous at 8 with Farchardin.
The offensive smell from the dye is (already) well present and my early morning stomach just cannot take this. Happy to have taken some shots the other day I decide to give it a miss.
The medina still empty these early hours of the day and makes a good alternative target. A bit spooky, the tiny streets with no one around.
Where normally hundreds of chandlers in front of their hole-in-the-wall shops engage you in talk constantly, others and their donkeys rush the merchandises, which ever, from here to there, where busy Fassi shop for their daily needs and manic tourists, who never seem to understand how to dress, follow their guide prevails wide emptiness today. (what an English sentence - I think I keep it that way - you're welcome to correct it)
Noone around, light filters through from the topo
In CASABLANCA I rejoin with Hasna and spend the weekend. I like Casablanca. It is relaxed. A big town (4.5 Mio) with all the advantages and disadvantages. Its colonial French architecture reminds you a bit of Marseille. I could imagine living here. On the top of being normal Casa offers several kilometres of excellent beach and all the cuisine you (I) want.
I cannot but take Hasna to the Manhattan Club, a formidable French restaurant. Fish and Steak and a bottle of Bordeaux. I have not been to a great restaurant for a while and have not eaten that well in a restaurant for a while.
To sleep we drive the Land Rover onto the beach where we manage to get it stuck. Deflating the tires will have to wait till later.
After Casa the ice is broken. We are back in the travelling business, not just physically.
Arcades of Hassan IIMonday 20th we again turn south, spend the evening in EL-JADIDA. Hasna prepares an excellent Fish Tagine, well spiced. Elaine an old French/Moroccan born, roughly 70, who joins us for dinner is equally overwhelmed by the "gouts". "Tu ne peut jamais mancher comme-ca dans un restaurant". "You'll never get that in a restaurant.".
Hassan II at nightSAFI the next day. Fresh Sardines for 5DHs (0.5Euros). We have them grilled on charcoal at a local food stall. Hasna: "La vie est belle en Maroc."

We reach ESSAOUIRA late that day. It is the 21st of June, 2 days before the start of the Gaoua Festival.
23rd of June. It is Festival time. The town's buzzing. The craze, that the Gnaoua music creates in peoples' heads, is toxic, contagious. You cannot escape it in these next 4 days. Concerts from 6 p.m. to sometimes 3 in the morning. I am loving it.
Hasna blue shirt, Festival at sunsetlight
Dancers in  the ctowd
Hasna blue
Happy dancers

Hasna and important Moroccan actrice Amina Rachid
Opening act, Abdelkebir Merchane plays the gambri
Opening day,

The Gnaoua World Music Festival..

The Gnaoua World Music Festival is a Gnawa music festival held annually in Essaouira, Morocco.
The festival provides a platform for exchanges and a meeting point of music and dialogue between foreign artists and the mystical Gnaoua (also Gnawa) musicians. In this melting-pot of musical fusion, the Gnaoua masters invite players of jazz, pop, rock and contemporary World music to explore new avenues.
Maalem-gnawa---Tervueren-IMG_4590.JPG

This scupture Moroccan delegations greatest interest of researchers in ethnomusicology.
Here is the oldest known sculpture of a maalem gnawa. It dates from the colonial era in Africa. The time when Stanley and Livingstone visited for the first time in Africa!
Unfortunately, I can not read the inscription below the bronze is in very bad condition Colonial in the park of Tervuren in Belgium!


The Gnawa (or Gnaoua, Ghanawa, Ghanawi, Gnawi) people originated from North and West Africa; to be precise the ancient Ghanaian Empire of Ouagadougou (present day Mauritania, Senegal, Gambia, Burkino Faso and 85% of Mali (pre Gnawi/Mali Wars)).
This name Gnawa is taken from one of the indigenous languages of the Sahara Desert called Tamazight. The phonology of this term according to the grammatical principles of Tamazight is as follows: Gnawi (singular), Gnawa (collective) and Gnawn (plural rarely used).
The Gnawa are an ethnic group whom, with the passing of time became a part of the Sufi order in Morocco. This kingdom bordered Morocco and Algeria's southern borders, and had a 300 year blood war with Morocco, prior to both countries forging a long lasting peace accord (conducted between the Monarchs of both countries alone with a scribe). Evidence of this is found is the tribal oral tradition of both countries (Soussi, Riffi, & Ashanti tribes). The result of which saw unprecedented levels of marriages between the Gnawis (ancient Ghanaians) and Soussis of Morocco. A small percentage of this community (Gnawa/Ghanawa) were given to Morocco's monarch (Mulay: to mean Emperor) as workers as a token and seal of the aforementioned accord. They traveled to Morocco by way of tribal caravans during (and external to) the hours of trade Trans-Saharan 

Come to Morocco and witness the rich culture by participating in Essaouira gnaoua festival. The Essaouira Gnaoua and World Music Festival celebrate the mysterious music of the Gnaouas and other worldwide rhythms. Originating through a cross-pollination of African magic and Islamic rituals, mesmerizing Gnaoua rhythms of drums and other instruments lead performers into a trance-like state. The Essaouira gnaoua festival is held in Essaouira, a picturesque port painted in blue and white that is the ideal resort of which most travelers dream: laid-back and yet vibrant, atmospheric yet relaxing. In this extraordinary melting pot of music, jazz, rock, and world musicians create original fusions on stage and share their musical cultures. Essaouira gnaoua festival performances are in afternoons and evenings, giving you plenty of time to relax and enjoy the idyllic charm of Essaouira by day. It is one of the major festivals in Morocco. Essaouira gnaoua festival performances are known to be one of the best out of the many festivals in Morocco.

Your musical journey at the Essaouira gnaoua festival begins with welcome by your private driver upon your arrival at Marrakech, an ancient city of weathered pink buildings and orange groves at the base of the snow-capped Atlas Mountains. Spend the afternoon at the Essaouira gnaoua festival with a private guide as you explore fascinating local souks (markets), ancient palaces, and lush gardens. Be sure to visit the Djemaa el-Fna at the Essaouira gnaoua festival, a carnivalesque public square where water sellers, snake charmers, magicians, and storytellers compete for an audience. Depart in the morning for the seaside town of Essaouira and home to the Essaouira Gnaoua Festival. A former Portuguese settlement in the 18th century, Essaouira overlooks an emerald sea where windsurfers frolic near the fringe of silvery beach and camels ferry passengers across fine sand. Dine at the fish market where you can select your fish to be grilled before your eyes. Explore the old fortress ramparts, browse artisan shops, or dream on the beach. Soak in the atmosphere that has been an inspiration since the 1960s for music legends from the Rolling Stones to Cat Stevens to Jimmy Hendrix, who composed Castles in the Sand on Essaouira's beaches. Today the town continues to lure musicians and artists alike to the sparkling whitewashed fishing village trimmed with the brilliant azure of its skies. Depart at the conclusion of the festival, or extend your visit to discover many more of Morocco's delights.








Morocco cultural and civilizational heritage


Morocco cultural and civilizational heritage


Situated on the northwestern-most corner on the continent of Africa, Morocco historically has been the pathway for the migration of ideas and cultural exchange between East and West. Within its borders, Morocco offers a rich diversity of landscapes and cultures: the Mediterranean Andalusian coast, the Islamic imperial cities, the mountain Berber trips, and the desert Bedouin oases. Renowned for its spirit of hospitality and long-lived friendship , Morocco is an ideal location to explore the rich cultures of Islam, Africa, and colonial Europe.

Morocco has a rich and a varied cultural and civilizational heritage. Every region has its special values and characteristics and contributes to development of this heritage. Preservation of the country's historical monuments is a major responsibility for all.

Moroccan ethnic diversity, extending from the Mediterranean  shore passing through the Rif, the Atlas mountains and the wide plains lying between them down to the confines of the Sahara, naturally receptive to African arts, has played an innovative role with respect to Islamic art. It brought about new patterns especially in architecture, illumination of manuscripts and decorative ornaments. These innovations were reflected in carpets, jewellery, pottery, ceramics, drape of garments, etc